
This text continues the major reassessment of cinema begun in Deleuze's "Cinema I: The Movement Image." In this volume, Deleuze is concerned with the representation of time in film and with the cinematic treatment of memory, thought and speech.
A notebook of your own for this title
A blank page to write whatever you want, with images, spoilers and links to other titles.

This text continues the major reassessment of cinema begun in Deleuze's "Cinema I: The Movement Image." In this volume, Deleuze is concerned with the representation of time in film and with the cinematic treatment of memory, thought and speech.
A notebook of your own for this title
A blank page to write whatever you want, with images, spoilers and links to other titles.
Francis Bacon: The Logic of SensationBook · 1981
Spinoza et le problème de l'expressionBook · 1968
The Fold: Leibniz and the BaroqueBook · 1988
Pourparlers 1972 - 1990Book · 1990
Qu'est-ce que la philosophie?Book · 1991
Le Pli - Leibniz et le baroqueBook · 1988
Proust and SignsBook · 1964
RhizomeBook · 1976
Francis Bacon: The Logic of SensationBook · 1981
Spinoza et le problème de l'expressionBook · 1968
The Fold: Leibniz and the BaroqueBook · 1988
Pourparlers 1972 - 1990Book · 1990
Qu'est-ce que la philosophie?Book · 1991
Le Pli - Leibniz et le baroqueBook · 1988
Proust and SignsBook · 1964
RhizomeBook · 1976