Eastbound is both an adventure story and a duet of two vibrant inner worlds. In mysterious, winding sentences gorgeously translated by Jessica Moore, De Kerangal gives us the story of two unlikely souls entwined in a quest for freedom with a striking sense of tenderness, sharply contrasting the brutality of the surrounding world. Racing toward Vladivostok, we meet the young Aliocha, packed onto a Trans-Siberian train with other Russian conscripts. Soon after boarding, he decides to desert and over a midnight smoke in a dark corridor of the train, he encounters an older French woman, Hélène, for whom he feels an uncanny trust. A complicity quickly grows between the two when he manages to urgently ask—through a pantomime and basic Russian that Hélène must decipher—for her help to hide him. They hurry from the filth of his third-class carriage to Hélène’s first-class sleeping car. Aliocha now a hunted deserter and Hélène his accomplice with her own inner landscape of recent memories to contend with.

Eastbound is both an adventure story and a duet of two vibrant inner worlds. In mysterious, winding sentences gorgeously translated by Jessica Moore, De Kerangal gives us the story of two unlikely souls entwined in a quest for freedom with a striking sense of tenderness, sharply contrasting the brutality of the surrounding world. Racing toward Vladivostok, we meet the young Aliocha, packed onto a Trans-Siberian train with other Russian conscripts. Soon after boarding, he decides to desert and over a midnight smoke in a dark corridor of the train, he encounters an older French woman, Hélène, for whom he feels an uncanny trust. A complicity quickly grows between the two when he manages to urgently ask—through a pantomime and basic Russian that Hélène must decipher—for her help to hide him. They hurry from the filth of his third-class carriage to Hélène’s first-class sleeping car. Aliocha now a hunted deserter and Hélène his accomplice with her own inner landscape of recent memories to contend with.